The American Legacy
220 East Fourth Street ~ New York, New York 10009
Office: 212 995 8410 ~ Tickets: 212 995 5302
"One of my favorite downtown theaters" ~ Martin Denton, nytheatre.com
Review by Martin Denton • November 3, 2002
The Bacchae by Euripides is about the god Dionysus' violent and irrational victory over the Theban king Pentheus. It's a primitive cautionary tale about knowing your place in the cosmos; as Metropolitan Playhouse artistic director Alex Roe puts it (describing the company's current season of plays), "Who Do You Think You Are?"—here asked by Dionysus of the paltry mortal who dares defy him.
Roe has created a new adaptation of the classic play, and it's now on at the Metropolitan's intimate East Village space. He's called it Bacchus, and for good reason; in his version, the god isn't merely making an example of a non-believer: it's personal.
Roe's Bacchus is a primal and rather fatalistic interpretation at odds with other modern adaptations: though his Agave is horrified by what she's done, the predominant theme of the play is not the danger of doing the gods' bidding but the danger of not doing it: in the power struggle between humankind and the universe, the universe always wins. It's a potent and unsettling approach to the work.
staging dazzles. The god Dionysus is portrayed with an almost carnal
Matt Daniels, who looks unearthly with glittery gold skin and a pair of
treacherous-looking horns. Roe has another actor (Annette Previti)
man Dionysus turns himself into, allowing for both spirit and
interact with the mortals, which is enormously effective. Roe likewise
Dionysus imbue the three members of the chorus with traits that
into pivotal characters in the narrative (the last one being Agave),
reinforcing his theme that the gods, not the mortals, are in command.