"Splendid . . .
. We must be grateful to the smart and brave theatres
like Metropolitan "
--Martin Denton for nytheatre.com "[A] lost gem in a thrilling production . . . performances that threaten to blow the roof off the theatre." --Victor Gluck for Back Stage INHERITORS
Susan Glaspell’s 1921 drama begins in 1879, when the maverick Silas Morton defies the wisdom of realtors and homesteaders alike and establishes a college on a prime spot of land on the Mississippi. Forty years later, when the country is swept up by rabid "Americanism", Silas’s iconoclastic granddaughter is a student at the college he founded, and she is faced with social ostracism, family reprisal, and federal prison when she stands up for the civil rights of two Indian nationalists. In this strikingly prescient story, one woman must set herself outside of her society to embrace the legacy of her inspirational ancestor. |
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![]() November
11 - December 11 |
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Starring: Sean Dill, David Fraioli*, Peter Judd*, David Lally, Tod Mason*, Samantha Needles, Jeff Pagliano, Margaret Loesser Robinson*, Sue Glausen Smith, and Matthew Trumbull. |
Directed
by: Yvonne Conybeare Stage Manager: Pamela Hybridge Set Design: Ryan Scott Costume Design: Rebecca Lustig Assistant Costume Design: Emily Pepper Lighting Design: Alexander C. Senchak Music/Sound Design: Ben Ruby Violin: Ben Lively Fight Director: Scott Barrow Dramaturg: Michael Bloom |
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SUSAN
GLASPELL (1876-1948) is most notable today from her
one-act play Trifles.
She was one of the founding members of the Provincetown Playhouse on
Cape Cod, where she discovered the then unknown playwright Eugene
O’Neill, became a driving force in the Little Theatre Movement, and
changed America’s theatrical landscape in the process. Susan Glaspell married George Cram Cook in 1913 and together they wrote Suppressed Desires and founded the Provincetown Playhouse to produce their own work. Moving the Playhouse to New York, they achieved great critical acclaim, which eventually caused a rift between the founding and the new members of the Playhouse. They left the Players in 1922, after Inheritors was produced, which became Glaspell’s last Provincetown production. Glaspell and Cook moved to Greece, where he died two years later of glanders. Glaspell then had a short relationship with Norman Matson, an undistinguished writer who was unable or unwilling to accept her literary prowess. Soon after in 1936, Glaspell accepted a position as the Director of Midwest Play Bureau for the Federal Theater Project. She resigned in 1938 and returned to Provincetown, entertaining friends, her stepchildren, and continuing to write. She died in Provincetown Massachusetts in 1948. |
![]() Susan Glaspell
Click on image for Inheritors press photos. |
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* Member, Actors Equity Association | Inheritors is an
Equity approved Showcase |